Occasional blogging, mostly of the long-form variety.
Showing posts with label Holiday. Show all posts
Showing posts with label Holiday. Show all posts

Tuesday, November 11, 2025

Armistice Day 11/11/25

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly. (I didn't have proper time to write a new piece this year, unfortunately.)

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

"The Graveyard of Democracy" (2021)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Monday, November 11, 2024

Armistice Day 11/11/24

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly. (I didn't have proper time to write a new piece this year, unfortunately.)

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

"The Graveyard of Democracy" (2021)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Thursday, July 04, 2024

Independence Day 2024

Although the United States of America is a flawed nation, it's good to remember that, in addition to other causes, it was founded in opposition to a monarchy and unaccountable power. We can add plenty of nuance and caveats to that statement (constitutional monarchy, property rights, slavery, treatment of Native Americans, women's rights, etc.), but that core principle of the democratic over the anti-democratic is worth remembering and fighting for. That's especially true given the anti-democratic and neofeudalistic goals of U.S. conservatives, as seen in the January 6th, 2021 insurrection, Project 2025, awful Supreme Court decisions from its conservative hacks, including giving the U.S. president monarchial rights, and many more examples. It would be nice if democracy weren't on the line every presidential election, and if plutocracy weren't made significantly worse with every Republican victory, but here we are.

I've often featured a 2006 piece by E.J. Dionne called "A Dissident's Holiday" that acknowledges America's flaws but also affirms its aspirations. It's a short piece worth reading in full, but this passage is especially apt:

. . . The true genius of America has always been its capacity for self-correction. I'd assert that this is a better argument for patriotism than any effort to pretend that the Almighty has marked us as the world's first flawless nation.

One need only point to the uses that Abraham Lincoln and Martin Luther King Jr. made of the core ideas of the Declaration of Independence against slavery and racial injustice to show how the intellectual and moral traditions of the United States operate in favor of continuous reform.

There is, moreover, a distinguished national tradition in which dissident voices identify with the revolutionary aspirations of the republic's founders.


I'll end with a videos I've featured before, Pete Seeger and Bruce Springsteen singing Woody Guthrie's "This Land Is Your Land" from Obama's first inauguration. (Past versions of the video have been taken down.) Although Woody started writing it as a critical song – and Pete includes some of the social commentary verses – it's also a celebratory and aspirational song. (I also can't see Pete pickin' and grinnin' without smiling.) Happy birthday, United States of America.



Sunday, March 17, 2024

St. Patrick's Day 2024

Happy St. Patrick's Day! I've featured "The Parting Glass" before. It's a Scottish song, but is popular in Ireland and as a closing number for Irish traditional music groups. It's also used for the ending of the 1998 Irish film Waking Ned (or Waking Ned Devine in North America), which I watched this weekend and is a funny, charming movie.

I probably first heard the Clancy Brothers' version. This rendition by Liam Clancy and Tommy Makem version is subdued and lovely:



The High Kings' version starts out pretty, with a big finish:



Celtic Woman likewise uses the song for a rousing finale:



Saturday, November 11, 2023

Armistice Day 11/11/23

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly. My new piece for this year is "The Iraq War in 2023."

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

"The Graveyard of Democracy" (2021)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Friday, November 11, 2022

Armistice Day 11/11/22

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly.

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

"The Graveyard of Democracy" (2021)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Thursday, November 11, 2021

Armstice Day 11/11/21

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly. My new post this year for Armistice Day is "The Graveyard of Democracy."

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Sunday, July 04, 2021

Independence Day 2021

Happy Independence Day! (This post is mostly reruns of good stuff.)

First up, here's NPR's annual reading of the Declaration of Independence:

Next up, in 2020, NPR asked descendants of Frederick Douglass to deliver excerpts from his speech, “What to the Slave Is the Fourth of July?”



You can read the full speech here. The descendants' names and ages are listed on the YouTube page here. NPR notes that "this video was inspired by Jennifer Crandall's documentary project" Whitman, Alabama.

Moving to music, Marvin Gaye provides the sublime, with one of my all-time favorite renditions of the national anthem:



The Muppets provide some silliness and enthusiasm:



Finally, Pete Seeger provides an undeniable spark, singing his pal Woody Guthrie's most famous song:



I hope everyone has a good and safe Independence Day.

Monday, January 18, 2021

MLK Day 2021

This year, for Martin Luther King, Jr. Day, it seems most appropriate to focus on voting rights. I've featured this passage before; "Bourbon interests" refers to white, Southern conservatives, mostly Democrats, who wanted to keep social and economic control. In an 1965 speech, titled "Our God is Marching On!" but often known as "How Long, Not Long," Martin Luther King, Jr., observed:

Our whole campaign in Alabama has been centered around the right to vote. In focusing the attention of the nation and the world today on the flagrant denial of the right to vote, we are exposing the very origin, the root cause, of racial segregation in the Southland. Racial segregation as a way of life did not come about as a natural result of hatred between the races immediately after the Civil War. There were no laws segregating the races then. And as the noted historian, C. Vann Woodward, in his book, The Strange Career of Jim Crow, clearly points out, the segregation of the races was really a political stratagem employed by the emerging Bourbon interests in the South to keep the southern masses divided and southern labor the cheapest in the land. You see, it was a simple thing to keep the poor white masses working for near-starvation wages in the years that followed the Civil War. Why, if the poor white plantation or mill worker became dissatisfied with his low wages, the plantation or mill owner would merely threaten to fire him and hire former Negro slaves and pay him even less. Thus, the southern wage level was kept almost unbearably low.

Toward the end of the Reconstruction era, something very significant happened. That is what was known as the Populist Movement. The leaders of this movement began awakening the poor white masses and the former Negro slaves to the fact that they were being fleeced by the emerging Bourbon interests. Not only that, but they began uniting the Negro and white masses into a voting bloc that threatened to drive the Bourbon interests from the command posts of political power in the South.

To meet this threat, the southern aristocracy began immediately to engineer this development of a segregated society. I want you to follow me through here because this is very important to see the roots of racism and the denial of the right to vote. Through their control of mass media, they revised the doctrine of white supremacy. They saturated the thinking of the poor white masses with it, thus clouding their minds to the real issue involved in the Populist Movement. They then directed the placement on the books of the South of laws that made it a crime for Negroes and whites to come together as equals at any level. And that did it. That crippled and eventually destroyed the Populist Movement of the nineteenth century.

If it may be said of the slavery era that the white man took the world and gave the Negro Jesus, then it may be said of the Reconstruction era that the southern aristocracy took the world and gave the poor white man Jim Crow. He gave him Jim Crow. And when his wrinkled stomach cried out for the food that his empty pockets could not provide, he ate Jim Crow, a psychological bird that told him that no matter how bad off he was, at least he was a white man, better than the black man. And he ate Jim Crow. And when his undernourished children cried out for the necessities that his low wages could not provide, he showed them the Jim Crow signs on the buses and in the stores, on the streets and in the public buildings. And his children, too, learned to feed upon Jim Crow, their last outpost of psychological oblivion.

Thus, the threat of the free exercise of the ballot by the Negro and the white masses resulted in the establishment of a segregated society. They segregated southern money from the poor whites; they segregated southern mores from the rich whites; they segregated southern churches from Christianity; they segregated southern minds from honest thinking; and they segregated the Negro from everything. That’s what happened when the Negro and white masses of the South threatened to unite and build a great society: a society of justice where none would pray upon the weakness of others; a society of plenty where greed and poverty would be done away; a society of brotherhood where every man would respect the dignity and worth of human personality.

I particularly like this passage because King sharply intertwines race with class, and links it to the right to vote. And voting rights have been a prominent issue the past few years in King's home state of Georgia. In 2018, Stacey Abrams, a black Democrat, ran for governor and narrowly lost to Brian Kemp, a white Republican. Kemp was Secretary of State at the time, meaning he controlled the voting rolls and was partially refereeing a contest he was competing in. Politifact states that there's no proof of voter suppression in the 2018 race, but as NPR reported in 2020:

In 2018, while Abrams was running for governor against then-Secretary of State Brian Kemp, she showed up to her polling place and was told she couldn't cast a ballot, because, according to their records, she already had voted.

"I told them I would have recalled that," Abrams told NPR's Weekend Edition. "And we were luckily able to solve the problem, but I know I'm not the only person who faced that challenge."

Between 2016 and 2018, at least 17 million voters were purged from the voter rolls, according to a study by the Brennan Center for Justice. In just one month alone — July 2017 — more than half a million voters were removed from Georgia's voter rolls, many because they didn't vote in previous elections, according to an investigation from APM Reports, Reveal and NPR member station WABE.

"We have to understand that purging does not simply occur because someone has died or has moved out of the state," Abrams said, adding that then-Secretary of State Kemp purged hundreds of thousands of voters from the rolls. "The use of this purging led to a disproportionate number of communities of color being disenfranchised. And many didn't know they were purged until they showed up to vote."

The specific race is less important than the ongoing trend of a significant faction of conservatives working to suppress the vote. As a November 2020 post revisited:

In 1980, Paul Weyrich, who co-founded the right-wing Heritage Foundation, the so-called Moral Majority and the American Legislative Exchange Council (ALEC), told his fellow conservatives, "I don't want everybody to vote. Elections are not won by a majority of people, they never have been from the beginning of our country and they are not now. As a matter of fact, our leverage in the elections quite candidly goes up as the voting populace goes down."

The good news is that Stacey Abrams and other liberal-leaning political activists worked hard the past few years to register Georgia voters, particularly African-Americans. That work helped Joe Biden win Georgia in the presidential race, the first Democrat to do so since Bill Clinton in 1992. And Georgia wound up electing two Democratic senators in run-off elections, Jon Ossoff, who is "the first Jew since 1974 to win statewide national office in the South" and Raphael Warnock, Georgia's first black senator, only the second black Southern senator since reconstruction, and "the first Black Democratic senator from the South in the nation’s history." And in a neat connection, Warnock has been the pastor at Ebenezer Baptist Church, where Martin Luther King, Jr. was co-pastor.

Ossoff and Warnock's wins represent significant social progress. Their opponents, Republicans Kelly Loeffler and David Perdue, reeked of corruption, but still almost won. Although the Democratic Party has its issues, the Republican Party has been almost entirely plutocratic and corrupt for a long time now. Ossoff and Warnock both ran on helping their fellow Georgians, and were able break through some of the repressive and divisive dynamics King described back in 1965 and which were still partially at play in the recent Georgia elections. It would be a mistake not to keep working on voter registration and voting rights restoration for the 2022 midterms and for the longer term. But the elections in Georgia represent a significant victory and are worth celebrating on MLK Day.

Thursday, November 26, 2020

Thanksgiving 2020

Happy Thanksgiving! Arlo Guthrie announced his retirement earlier this year for health reasons; you can read his statement on his website here. I saw him perform a few years back and at least half a dozen times over the years, most often with Pete Seeger. It's too bad he can't tour anymore, but he's currently 73 and started young, so he been performing for over 50 years, which is pretty impressive. His story/song "Alice's Restaurant Massacree" starts with a real story about Thanksgiving and a closed garbage dump. Here's the original 1967 version, from Arlo's debut album, Alice's Restaurant:



Arlo performed the massacree on tours only every decade or so, and I was happy to hear it live. He added some funny stuff about Nixon, and later rerecorded his entire debut album, including his updated version, plus pretty arrangements of the other songs. From 1996:



Have a happy and safe Thanksgiving!

Wednesday, November 11, 2020

Armistice Day 11/11/20

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly. (No new post this year.)

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Monday, September 07, 2020

Labor Day 2020

Happy Labor Day! Sarah Lee Guthrie performed her grandfather Woody Guthrie's song, "Union Maid," for a rally this weekend. Here's a 2007 performance of the song by her and her father, Arlo, with the bonus song, "The Ladies' Auxiliary."



My most in-depth post for Labor Day was this 2011 post.

Tuesday, March 17, 2020

St. Patrick's Day 2020

I hope everyone has a good and safe St. Patrick's Day. This year, I thought I'd feature the haunting version of "The Foggy Dew" performed by Sinead O'Connor and the Chieftains. Here's some background. The video has a bit of commentary at the very end.



Feel free to link or mention any favorite Irish songs in the comments.

Monday, January 20, 2020

"I could not be silent in the face of such cruel manipulation of the poor."

It's Martin Luther King Jr. Day, and given the recent and familiar saber-rattling we've been hearing, this time agitating for a war with Iran, it seems like a good time to visit King's speech, "Beyond Vietnam." He delivered it at Riverside Church in New York City on April 4, 1967, a year before he was assassinated. The Martin Luther King, Jr. Research and Education Institute has the text and audio, and it's nice to listen to his sonorous cadences. King took a significant risk in pushing back against concerns about political caution and instead spoke his conscience. Some of the references are very much tied to the era, but others remain all too timely.

I come to this platform tonight to make a passionate plea to my beloved nation. This speech is not addressed to Hanoi or to the National Liberation Front. It is not addressed to China or to Russia. Nor is it an attempt to overlook the ambiguity of the total situation and the need for a collective solution to the tragedy of Vietnam. Neither is it an attempt to make North Vietnam or the National Liberation Front paragons of virtue, nor to overlook the role they must play in the successful resolution of the problem. While they both may have justifiable reasons to be suspicious of the good faith of the United States, life and history give eloquent testimony to the fact that conflicts are never resolved without trustful give and take on both sides. Tonight, however, I wish not to speak with Hanoi and the National Liberation Front, but rather to my fellow Americans.

Since I am a preacher by calling, I suppose it is not surprising that I have seven major reasons for bringing Vietnam into the field of my moral vision. There is at the outset a very obvious and almost facile connection between the war in Vietnam and the struggle I and others have been waging in America. A few years ago there was a shining moment in that struggle. It seemed as if there was a real promise of hope for the poor, both black and white, through the poverty program. There were experiments, hopes, new beginnings. Then came the buildup in Vietnam, and I watched this program broken and eviscerated as if it were some idle political plaything on a society gone mad on war. And I knew that America would never invest the necessary funds or energies in rehabilitation of its poor so long as adventures like Vietnam continued to draw men and skills and money like some demonic, destructive suction tube. So I was increasingly compelled to see the war as an enemy of the poor and to attack it as such.

Perhaps a more tragic recognition of reality took place when it became clear to me that the war was doing far more than devastating the hopes of the poor at home. It was sending their sons and their brothers and their husbands to fight and to die in extraordinarily high proportions relative to the rest of the population. We were taking the black young men who had been crippled by our society and sending them eight thousand miles away to guarantee liberties in Southeast Asia which they had not found in southwest Georgia and East Harlem. So we have been repeatedly faced with the cruel irony of watching Negro and white boys on TV screens as they kill and die together for a nation that has been unable to seat them together in the same schools. So we watch them in brutal solidarity burning the huts of a poor village, but we realize that they would hardly live on the same block in Chicago. I could not be silent in the face of such cruel manipulation of the poor.

My third reason moves to an even deeper level of awareness, for it grows out of my experience in the ghettos of the North over the last three years, especially the last three summers. As I have walked among the desperate, rejected, and angry young men, I have told them that Molotov cocktails and rifles would not solve their problems. I have tried to offer them my deepest compassion while maintaining my conviction that social change comes most meaningfully through nonviolent action. But they asked, and rightly so, “What about Vietnam?” They asked if our own nation wasn’t using massive doses of violence to solve its problems, to bring about the changes it wanted. Their questions hit home, and I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without having first spoken clearly to the greatest purveyor of violence in the world today: my own government. For the sake of those boys, for the sake of this government, for the sake of the hundreds of thousands trembling under our violence, I cannot be silent.

For those who ask the question, “Aren’t you a civil rights leader?” and thereby mean to exclude me from the movement for peace, I have this further answer. In 1957, when a group of us formed the Southern Christian Leadership Conference, we chose as our motto: “To save the soul of America.” We were convinced that we could not limit our vision to certain rights for black people, but instead affirmed the conviction that America would never be free or saved from itself until the descendants of its slaves were loosed completely from the shackles they still wear. In a way we were agreeing with Langston Hughes, that black bard of Harlem, who had written earlier:

O, yes, I say it plain, America never was America to me, And yet I swear this oath— America will be!


Now it should be incandescently clear that no one who has any concern for the integrity and life of America today can ignore the present war. If America’s soul becomes totally poisoned, part of the autopsy must read “Vietnam.” It can never be saved so long as it destroys the deepest hopes of men the world over. So it is that those of us who are yet determined that “America will be” are led down the path of protest and dissent, working for the health of our land.
Digby has featured this speech before, emphasizing other good passages – it's full of them. And The New Yorker has a good piece from 2017 giving more background on crafting the speech and the political costs King knew it would incur. (It also covers John Lewis' memories of the speech.)

I appreciate that King linked war, and basically imperialism, to issues of class, race and lost opportunities in America. He received backlash for the speech, even though some passages of it are simpatico with that noted political radical, Dwight Eisenhower, who in 1953 asserted that "Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed. This world in arms is not spending money alone. It is spending the sweat of its laborers, the genius of its scientists, the hopes of its children." King emphasized race much more, of course, which surely made some of his white audience uncomfortable. And many of his points unfortunately remain all too pertinent.

In the questions for this election cycle's primary debates and in political chatter in general, we're essentially told that war, and all military spending, is free. According to conservatives, tax cuts and other giveaways to the rich and powerful are free as well or otherwise a national boon, and such largess will theoretically trickle down to we the peons. Apparently, it's only health care, and other domestic programs that could benefit the overwhelming majority of Americans, that cost money and need to be interrogated. Perhaps some wars are indeed necessary, yet the same people most likely to recklessly agitate for them typically argue against even the possibility of new or better social programs domestically. "I could not be silent in the face of such cruel manipulation of the poor," said King. He wasn't fully appreciated in his lifetime, and his willingness to link the civil rights struggle to challenging other pervasive, oppressive notions is still not fully acknowledged now. As Cornel West put it, we should resist the "Santa Claus-ification" of King; it would be vanity to suppose we've already learned all he has to teach us.

Monday, November 11, 2019

Armistice Day 11/11/19

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly.

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.

Monday, September 02, 2019

Labor Day 2019

Happy Labor Day! This a repeat, but one of the better songs for the day, methinks:

My most in-depth post for Labor Day was this 2011 post.

Thursday, July 04, 2019

Independence Day 2019

I'm afraid this is not a happy Independence Day. As several people have pointed out, we have tanks in DC and concentration camps on the nation's Southern border, both at the insistence of Donald Trump. The cruelty of the camps is the point; it's a feature, not a bug.

Most years for Independence Day, I post some videos, but this year, I thought I'd link a great poem I just discovered, "A New National Anthem," by Ada Limón. Follow the link for the full poem, but this may be my favorite section:

And what of the stanzas
we never sing, the third that mentions “no refuge
could save the hireling and the slave”? Perhaps
the truth is that every song of this country
has an unsung third stanza, something brutal
snaking underneath us as we blindly sing
the high notes with a beer sloshing in the stands
hoping our team wins.


It's a great piece and timely. Check out the rest.

For me, one of the best and most hopeful American traditions is the conscientious critique: MLK, Pete Seeger, Dorothea Dix, Susan B. Anthony, Frederick Douglass, Malcolm X, Cesar Chavez, Frances Perkins, and countless more. (Add Ada Limón to the list.) There's always room for improvement; we can treat each other more kindly and do better as a nation.

That idea dovetails with a 2006 piece by E.J. Dionne I've featured before, "A Dissident's Holiday." My favorite bit:

...The true genius of America has always been its capacity for self-correction. I'd assert that this is a better argument for patriotism than any effort to pretend that the Almighty has marked us as the world's first flawless nation.

One need only point to the uses that Abraham Lincoln and Martin Luther King Jr. made of the core ideas of the Declaration of Independence against slavery and racial injustice to show how the intellectual and moral traditions of the United States operate in favor of continuous reform.

There is, moreover, a distinguished national tradition in which dissident voices identify with the revolutionary aspirations of the republic's founders.


Dionne's views stand in sharp contrast with Trump's, who views Independence Day as an opportunity to play with tanks in the style of a Soviet May Day parade and invite adulation of himself. Donald Trump, like many other American conservatives, is an authoritarian. And he and his most ardent followers are cruel, gleeful bullies.

The conditions in the camps are horrible by design, because of bigotry and to maximize profits. At least the camps' grotesque reality is being increasing exposed, by visiting Democratic members of Congress, pediatricians and reporters, despite efforts to prevent the public from knowing what's really going on. We're seeing the ugliest attitudes in America, in a continuing dark tradition. But we're also seeing conscientious resistance and a push for reform. That impulse is always worth supporting and celebrating.

Sunday, March 17, 2019

St. Patrick's Day 2019

Happy St. Patrick's Day! Ireland has a wealth of songs. This year, I thought I'd feature "The Parting Glass," which has Scottish origins but also a long history in Ireland, with the melody used for another Irish song. Several musical groups have used this one to end concerts, and it's also a popular pick for funerals.

The High Kings' version is very good:



Liam Clancy and Tommy Makem's version is quiet and lovely:



The group Celtic Woman also uses it for a rousing finale:



Face Vocal Band delivers an a cappella rendition:



Lastly, here's a whiskey ad with memorable use of the song:



Feel free to mention and link any favorite Irish tunes in the comments.

Monday, January 21, 2019

MLK Day 2019

For the Birthday of Martin Luther King, Jr., I have King: A Filmed Record... Montgomery to Memphis on in the background. It's a 1970 documentary, just over three hours, that originally showed in movie theaters as a one-day special event. One of the local TV stations has broadcast it occasionally. It's a great collection of footage and audio recordings.

The local PBS station has sometimes rerun Eyes on the Prize, but this year has been showing Henry Louis Gates' four-hour series, Black America Since MLK: And Still I Rise today and last week.

Over at Crooks and Liars, I linked "Letter from a Birmingham Jail," which remains timely, and The Academy of American Poets's nice collection of poems for the day. And over at Hullabaloo, Dennis Hartley offers 10 films for MLK Day.

How are you celebrating the day?

Sunday, November 11, 2018

Armistice Day 11/11/18

(Click on the comic strip for a larger view.)

In 1959, Pogo creator Walt Kelly wrote:

The eleventh day of the eleventh month has always seemed to me to be special. Even if the reason for it fell apart as the years went on, it was a symbol of something close to the high part of the heart. Perhaps a life that stretches through two or three wars takes its first war rather seriously, but I still think we should have kept the name "Armistice Day." Its implications were a little more profound, a little more hopeful.

You said it, brother.

Thanks to all who have served or are serving, on this Veterans Day, or Remembrance Day, or Armistice Day.

This post is mostly a repeat I run every year, since I find it hard to top Kelly.

My latest post on these themes is "The War to End All Wars," because it's the 100th anniversary of the Great War's end, the armistice.

Back in 2009, I wrote a series of six related posts for Armistice Day (and as part of an ongoing series on war). The starred posts are the most important, but the list is:

"Élan in The Guns of August"

"Demonizing of the Enemy"

"The War Poetry of Wilfred Owen"

***"Giddy Minds and Foreign Quarrels"

"The Little Mother"

***"War and the Denial of Loss"

The most significant other entries in the series are:

"How to Hear a True War Story" (2007)

"Day of Shame" (2008)

"The Poetry of War" (2008)

"Armistice Day 2008" (featuring the war poetry of Siegfried Sassoon).

"They Could Not Look Me in the Eye Again" (2011)

"The Dogs of War" (2013)

"The Courage to Make Others Suffer" (2015)

"The Battle of the Somme" (2017)

I generally update these posts later with links to appropriate pieces for 11/11 by other folks as I find them. If you've written one, feel free to link it in a comment. Thanks.