Occasional blogging, mostly of the long-form variety.

Wednesday, January 16, 2008

More on Andy Olmsted

Two weeks ago I wrote a brief post on Major Andrew Olmsted, who was tragically killed while on active duty in Iraq on January 3rd. His last blog entry at Rocky Mountain News is here, and has become a condolence thread. Once again, the moving post he wrote to be posted in the event of his death is here at Obsidian Wings, where he blogged under the name G'Kar (he was a big fan of Babylon 5). I didn't know him personally, and I missed much of his earlier work. He didn't want his death to be used for any political purposes, but by all accounts, he was a thoughtful, generous guy with a good sense of humor, and it's a tragic loss. Many commentators wondered if there was anything that could be done for his family.

There were so many comments to the original post that Hilzoy opened a new one, "Remembering Andy Olmsted," with more information and some personal anecdotes. She also posted "How to Help," which links the many posts about Andy, but also relays:

A member of Andy Olmsted's family has just written me to say that if people want to do something in honor of him, they can send donations to a fund that has been set up for the four children of CPT Thomas Casey, who served under Andy and was killed while trying to help him. The address is here:

Capt. Thomas Casey Children's Fund
P.O. Box 1306
Chester, CA 96020

Thanks so much.

The comment thread for the "How to Help" post features still more links to pieces about Andy. Last Thursday, I happened to see his photo on the periodic honor roll of American dead on PBS' NewsHour, always affecting. Last Friday, I heard NPR's story on Andy while I was driving home. It's a good piece, if you want to take a listen. Thanks.

(Cross-posted at The Blue Herald)

Sunday, January 13, 2008

That Fragrant Horse Race Coverage

Horse Shit Cigarettes are made from the finest grade of domestic and imported horse shit obtainable. Only fresh midd horse shit is used. NOT MULE SHIT. And they are roasted to keep that mild, sweet taste.

If you like the taste of Horse Shit Cigarettes, you might want to try a genuine Horse Shit Cigar. Each one lasts an hour, perfect for watching an episode of Hardball, especially since each one smells like a mix of Aqua Velva and Chris Matthews. Mmm-mmm! That's some mighty fine Horse Shit!

(Okay, the second paragraph doesn't appear on the package. But it should.)


The problem with a horse race is that it produces a lot of horse shit. Sure, it's fun to mock the boastful swells in the press box for losing all their bets on New Hampshire, but they've been wrong plenty of times before in this election season alone, and it's not as if they all learn their lesson. A day after Chris Matthews said he'd "never underestimate Hillary Clinton again," he said that the reason she was elected senator was because "her husband messed around." Of course, in addition to peddling his own special brand of horse shit, Matthews is virulently anti-Clinton, a sexist who often seems delusional. But he's far from the only prominent pundit with a short memory or no shame. As one of Matthews' colleagues observed:

"The pirouettes are amazing," says Brokaw, who was analyzing the campaign on MSNBC. "The utter confidence with which everyone had been wrong 20 minutes earlier, they have the same utter confidence about what produced this surprise. It's intellectually dishonest."

On a similar note:

Mark Feldstein, a George Washington University journalism professor, describes political reporters as "superficial sportswriters. Covering the campaign is almost like joining a cult, with a cocoonlike bubble as you travel from event to event. There's a lemminglike quality."

Of course, sportswriters have their share of fawners, but most are much more honest and accurate than the majority of our political chattering class. The herd mentality of our talking heads leads to poor, shallow coverage, which is incredibly annoying. Even a blogger whose work I've enjoyed in the past, boldly predicted the whole thing, the whole election, for Obama after Iowa — and it was written in an authoritative tone. Good lord. Needless to say, we bloggers shouldn't repeat the worst faults of the mainstream, corporate, vapid media. There can be great value in noting political realities of the race, but I must confess irritation when anyone seems to celebrate a badly flawed system.

Some of the dissection of the New Hampshire primary was good, at least. Speaking of fawners, Howard Kurtz often pens flattering tributes to television reporters and has a demonstrated conservative bias in his coverage and outlook, but occasionally, he does a pretty good job, as he did last week in three columns detailing the breakdown: "Media Blow It Again, " "The Media's Katrina?" and "Running Against the Media." Jeff Greenfield, political analyst for Slate, offered an admirable mea culpa, as did The Politico and some other outlets and pundits. NPR and PBS have had pretty good election coverage overall. The Washington Post had a decent breakdown, and Countdown examined whether it was the polling or the reporting that broke down. Steve Benen wrote a short piece "In Defense of Pollsters" and has provided good analysis on the results of each contest. Of course, it helps that he's waited until the voters actually, y'know, voted.

Here's my favorite line of the lot (courtesy of the second Kurtz piece), about the shift in New Hampshire coverage:

And then, at 10:31, MSNBC projected Hillary as the winner. CNN and Fox followed suit 15 minutes later, and the scrambling began. Spin was modified, explanations revised.

"One of the greatest political upsets in American political history," Russert said.

Umm, no. Not at all. It was the goddam New Hampshire primary, not "Dewey Defeats Truman" or even Jim Webb defeating George Allen. And New Hampshire often picks someone other than the eventual winner (Bill Clinton came in second in 1992, as did George W. Bush in 2000). It's a tiny contest of outrageously inflated consequence. This is just Russert's mammoth, oversized ego blathering here. It appears that in his mind, the only way he could have possibly made such an error in judgment is due to an upset of 'historic' proportions.

In fact, although Russert had plenty of company, he could have avoided being so wrong quite easily by merely noting the actual poll information. In its series of New Hampshire stories the day after, NPR reported that as many as 20% of voters were undecided on the day of the election. The aforementioned Countdown program did a more detailed breakdown along the same lines. With that large a number of undecided and uncommitted voters, nothing was guaranteed. It was fair to be a bit surprised by Clinton's victory in New Hampshire, that such a large proportion of undecided voters would break for her, but all of the pundits (and even most if not all of the campaigns) ignored how many undecided voters there actually were. They could have easily checked their egos and hedged their bets by citing the actual polls they so belove. They could have abstained from sweeping prognostications to demonstrate how very clever they are. But that is not their nature. "Nobody knows anything," as William Goldman sagely observed — but even people who quote Goldman often pretend they know it all anyway.

The truth is, Iowa and New Hampshire only matter so much for two reasons: one, the press' obsession with them, and two, money, specifically fund-raising. Neither of these have to be the way they are currently, and I'd argue neither should be celebrated. Both states are tiny and unrepresentative of the nation as a whole. Yet every goddam election cycle, pundits work themselves into a frenzy that these two early contests actually mean something more than they do (or at the very least, mean more than they should).

It's wise to keep it all in perspective. Iowa and New Hampshire do play a legitimate role in trimming the herd, as they have this year, with some candidates earning one to three percent dropping out. Others persevere, despite a paucity of funds compounded by the drop in coverage. The current system abounds with self-fulfilling prophecies. But there simply isn't a good reason for strong candidates who aren't leading to drop out so early. Even if the press wants them to, they have no obligation to comply. Mitt Romney's fund-raising may be hurt if he doesn't come in first in one of the upcoming primaries, and many pundits are opining that he needs to win Michigan. However, even if he doesn't, Romney has the money, ambition and ego to continue to Super Tuesday and beyond if he wants to. Besides, as of this morning, Romney has 19 delegates to Huckabee's 31 and McCain's 7.

Similarly, John Edwards isn't in the ideal position to win the Democratic nomination, but still has an outside chance, and his national numbers have steadily grown the more people have heard him. As of this morning, he has 50 delegates to Obama's 89 and Clinton's 197. Edwards has said he's in until at least Super Tuesday, 2/5/08. (It's telling that the press, Hillary Clinton and to a lesser degree Obama, are ignoring Edwards, despite polling showing he's the strongest general election candidate. Edwards has easily gotten the least coverage, and least favorable coverage, of all major candidates in both parties. Or call it the most undeserved negative coverage, if you prefer.) Kucinich, Paul and others will likely continue regardless of their prospects. The nomination for both parties may not be set until after Super Tuesday, which is less than a month away. Surely that's not too long to wait. One would think pundits obsessed with horse race coverage wouldn't want their party to end. Personally, I find the undecided nature of the race quite exciting, most of all that my primary vote and the primary votes of many Americans might actually be allowed to make a difference for a change. Democracy. Ain't it grand?

Let's take a look at what Iowa and New Hampshire actually mean in terms of the nation as a whole — or what they should mean, if ours were a sane, fair system. According to the U.S. Government, Iowa has a population of just under 3 million, or approximately 1% of our national population of roughly 301 million. Annoyingly, the Iowa Democratic Party does not release the actual number of voters who participate in the caucus, but they report that "statewide, more than 236,000 Democrats caucused," while 118,691 Republicans voted in the GOP's Iowa caucus. The turnout for both parties absolutely shattered previous records (participation was "fewer than 6 percent of eligible voters in 2004"), but for all that, those approximately 356,000 Iowans still amount to a mere 16% of eligible voters (download or open the CIRCLE release on the linked page for the breakdown; the large increase in youth turnout is good news, though). Iowa's convoluted caucus system has many problems, and "just as nonrepresentative as Iowa is of the country, Iowa caucusgoers are nonrepresentative of Iowa as a whole.” Regardless, Obama won 38% of Iowa's Democratic delegates, so without getting into all of the arcane rules of the caucus, that effectively amounts to close to 90,000 Iowans voting for Obama, or 3% of all Iowans statewide. That in turn is a miniscule 0.03% of all Americans. (Please pass on any more accurate stats if you have them, or any illuminating perspectives.)

Granted, polls can be very predictive, and not everyone in America votes in presidential elections. Obama's tally in Iowa did exceed expectations. Still, calling the Democratic nominee (let alone the presidency, as some folks did) when 99% of the country hasn't even had the chance to weigh in is just ridiculous and insulting.

That's not to mention that Iowa hardly has a record of being an accurate predictor of the eventual nominee, at least for Democrats. As Jon Swift satirically noted in "Iowa Caucus Results Explained," before the New Hampshire vote was in (emphasis mine):

The biggest loser of all was Hillary Clinton. If she can't win in Iowa, where can she win? In every contested race since 1972 (Bill Clinton ran unopposed in 1996), the winner of the Iowa caucuses for the Democrats has gone on to be elected President, except for 1972, 1976, 1980, 1984, 1988, 1992, 2000 and 2004 when the winner did not go on to be elected President. Iowans have an uncanny ability to predict which Democrat can win in the general election, which means Hillary's campaign may be doomed. Look for members of the party establishment to start looking for another candidate, maybe even going outside the party to someone like McCain who could win both the Republican and Democrat nominations and run on a unity ticket with Mike Bloomberg or Joe Lieberman as his vice president, sparing voters the burden of having to make a hard choice in November. David Broder and his friends are already ecstatic at the prospect.

In other words, the pundits on TV know that Iowa results are not necessarily predictive, or should know. Yet every election cycle, they whip themselves into a frenzy pretending otherwise.

Meanwhile, in New Hampshire, a pretty impressive 517,226 out of roughly 1.3 million residents voted in the Democratic and Republican primaries. Apparently, that's an overall turnout rate of 53% of eligible voters (with a 43% participation rate among voters under 30, up from 18% in 2004, cause to celebrate). Regardless, combine the New Hampshire turnout with Iowa's (throw in some estimate of the Wyoming Republican primary as well, if you like, although annoyingly, The Wyoming Republican Party did not release the vote totals, not that it's a populous state). Not many Americans have actually voted, in the ballpark of one million, probably a bit less. Looking at those states' populations, less than 2% of Americans have even had the opportunity to vote in a primary or caucus so far. (Again, please feel free to pass on any more accurate statistics if you have them.)

Horse race coverage can be done, and done well, but must be keep in proportion and constrained by common sense. It's not news that such rationality rarely prevails. As a Project for Excellence in Journalism study on political coverage, covering a five month period near the start of 2007, reported in late October:

63 percent of the stories focused on political strategy and 17 percent on the candidates' backgrounds, compared with 15 percent on their proposals and 1 percent on their records. The remaining 4 percent dealt with miscellaneous topics.

Meanwhile, Harvard's Center for Public Leadership National Leadership Index has an ongoing survey on public attitudes toward the press. As of December 2007, as Eric Boehlert observed that, among the public:

* 88 percent agree that the news media focuses too much on trivial rather than important issues.

* 92 percent say that it is important that the news media provide information on candidates' specific policy plans, but 61 percent believe that the news media is not providing enough coverage of policy plans

* 67 percent say that coverage of embarrassing incidents or mistakes that make a candidate look bad is not important, but 68 percent say the news media is providing too much coverage of embarrassing incidents and mistakes

The conclusion was painfully obvious: Citizens claimed they were getting "exactly the type of campaign coverage that they want the least," according to the report. [Emphasis added.]

In other words, news consumers want issues, issues, issues, while the press obsesses over tactics, tactics, tactics.

Even if the numbers aren't exact, the conclusions are consistent with many other studies. Even a recent online poll for CNN had 94% of viewers complaining about shallow coverage.

Even respected outlets such as The Washington Post, which typically features some great reporting along with the dross, delivers this sort of empty product far too often. Their series "The Front-Runners," was embarrassingly shallow. As Bob Somerby of the Daily Howler wrote back in December about one installment:

Today, the victim is Candidate Edwards. As with Clinton, as with Romney, the Post’s profile contains four parts:

1. An insipid attempt at psycho-biography, written by one of the world’s dumbest people.

2. A piece called “How He’s Running.” (According to Kornblut, who writes today’s piece, “Edwards is running as ‘the son of a millworker.’”)

3. A piece called “How He Looks” (Robin Givhan).

4. A piece called “How He Talks” (Dana Milbank).

That’s right! In this morning’s Post, there's a full report about John Edwards’ clothes—but no report about his proposals! Nowhere in these “front-runner” profiles does the Post explain what the candidates have proposed in the course of their White House campaigns.

It's not really a secret why horse race coverage persists, either. As long as we're doing lists, I see three reasons:

1) It's easy. It's much, much easier than policy analysis or fact-checking. It's pundit laziness.

2) It can be presented as neutral. Horse race coverage can play off new polls, but is solely descriptive, a quantitative versus qualatitative approach. Reporters can more easily avoid charges of bias.

3) They enjoy it. While some political reporters are fantastic, far too many are shallow, vapid people, bored by policy, self-absorbed, and persistently unwilling to acknowledge that time and time again, the average citizen wants far more substance from politicians than they as reporters apparently do.

Much of the liberal blogosphere has delved into these dynamics for some time, but if you think I'm being unfair, I suggest you read through the Daily Howler archives. At least read through this recent Daily Howler entry for a characteristic glimpse of how reporters repeatedly show contempt for politicians who have the gall to answer questions posed to them by citizens.

As Jeff Greenfield notes, "bad conversation tends to drive out good conversation." There's far too much hogwash and bullshit in our national discourse, but for one more glimpse of horse race horse shit, check out this excerpt from "Merchants of Trivia" by Matt Taibbi (via MBR):

Every reporter who spends any real time on the campaign trail gets wrapped up in the horse race. It's inevitable. You tell me how you can spend nearly two years watching the dullest speeches known to man and not spend most of your time wondering about the one surefire interesting moment the whole thing has to offer: the ending.

Stripped of its prognosticating element, most campaign journalism is essentially a clerical job, and not a particularly noble one at that. On the trail, we reporters aren't watching politics in action: The real stuff happens behind closed doors, where armies of faceless fund-raising pros are glad-handing equally faceless members of the political donor class, collecting hundreds of millions of dollars that will be paid off in very specific favors over the course of the next four years. That's the real high-stakes poker game in this business, and we don't get to sit at that table.

Instead, we get to be herded day after day into one completely controlled environment after another, where we listen to an array of ideologically similar politicians deliver professionally crafted advertising messages that we, in turn, have the privilege of delivering to the public free of charge. We rarely get to ask the candidates real questions, and even when we do, they almost never answer.

If you could train a chimpanzee to sit still through a Joe Biden speech, it could probably do the job. The only thing that elevates this work above monkey level is that we get to guess who wins.

For most of us, this is a guilty pleasure. But some of us get so used to being asked who should be running the world that our brains start to ferment. I've seen it happen. The first few times a newbie comes on the campaign trail, he's watching all the flag-waving and the soldier-humping and he's writing it all down with this stunned expression, as if to say, "Jesus, I went to college for this?" Two months later, he's doing six hits a day on MSNBC as a Senior Political Analyst and he's got this weirdly pissed-off look on his face, like he's mad that the world woke up and forgot to kiss his ass that morning. This same meek rookie you saw bent over a steno book just months ago is suddenly talking about how Hillary Clinton needs to do this, Barack Obama needs to do that — and he's serious! He's not kidding! Next thing you know, he's got an eight-figure book deal and a ten-foot pole up his crack, and he's wearing a tie and loafers to bed. In other words, he's Jonathan Alter.

I call it the Revenge of the Nerds effect. Give an army of proud professionals nothing but a silly horse race to cover, and inevitably they'll elevate even the most meaningless details of that horse race to cosmic importance.

This is how you end up getting candidates bludgeoned to death on the altar of such trivialities as "rookie mistakes" and "lack of warmth"; it's how you end up getting elections decided because candidates like John Kerry are unable to overcome adjectives like "looks French" and "long-faced Easter Island statue."

That's what happened in Iowa. For once, voters tried to say that they were perfectly capable of choosing a president without us, that they could do without any of this nonsense. But they were wrong. Nonsense would have its day!

Indeed it will. And after a long day of spouting nonsense in print and on air, there's nothing that hits the spot quite like a fine Horse Shit Cigarette.


(Remember, corporations say it's good for you.)

Update: I was able to find more definitive numbers that eluded me late last night, and have revised two paragraphs accordingly, including some new links. I've also added one quotation and edited for clarity.

Update 1/30/08: CIRCLE has updated its information, so I've updated that statistic and the link accordingly.

(Cross-posted at The Blue Herald)

Thursday, January 10, 2008

Eclectic Jukebox 1/10/08



Sarah McLachlan — "When She Loved Me"

Since I posted "Save Me" from Aimee Mann last week, here's another one of the Oscar nominees from that year, written by Randy Newman, who's playing piano. It's from Toy Story 2, where it's used for a Velveteen Rabbit-like sequence. It's much better than the song Newman finally won an Oscar for, some much more generic, forgettable song called... hmm...

Blues next week!

Eclectic Jukebox

No More Tears, Please


No more tears, please. I don't mean from Hillary Clinton — I mean the media saying that she cried, which isn't accurate, as far as I could see. The Yahoo page yesterday showed the graphic above. If you can't read it clearly, it says "Debating the crying issue." "Analysts have turned Hillary Clinton's tears into a national debate." It also links a Huffington Post entry titled "Double standard?" and has a video link called, "See her tears."

(Good grief. Had it been a slower news day, one of the networks would've grabbed the post-Brit-Brit Dr. Phil for his special brand of obtuse comment wrapped in faux-folksy Texas cornpone psychobabble. But there's still time.)

There's other copies of the video out there, but check out this YouTube version:



She gets choked up, her voice quavers, she's emotional. But she doesn't have a public breakdown. And I don't see any tears. Do you? And really, is this that hard for the press to get right?

The media just luvs their narratives, truth be damned, and this week alone has provided a bevy of examples, most of them focusing on the Iowa Caucus, the New Hampshire Primary, and moments in-between, such as Hillary Clinton's show of emotion. ThinkProgress has a good roundup of some of the vapid reactions to it.

And this is how it always starts. A notion gets fixed in the public memory, whether accurate or not. This isn't far removed from the wildly over-inflated furor over the Dean "scream" or the media spreading the lie that Al Gore claimed to invent the internet. I've never fully understood all the hoopla over Bill Clinton's "Sister Souljah moment," which to me has always seemed ridiculously overblown by the media ever since. It's not as if criticizing her was difficult or required courage, even if it was calculated. (Any other takes?) But at least that actually happened. So often, the media's herd mentality has them trampling in a mad, happy rush over the truth. If you watch the ThinkProgress video, you'll see many pundits referring to Hillary Clinton's moment of emotion as a "Muskie moment." Now that she's gotten a boost in the polls, they're referring to it as an "anti-Muskie moment" or even an "Oprah moment." (I actually heard Oprah interviewed about Hillary's "moment." I've still escaped hearing Dr. Phil on it, though!)

However, it's wise to remember, thanks to our friends Bob Somerby and Digby, that even Ed Muskie didn't have a "Muskie moment." It looks like Muskie crying was mostly a media invention, by one reporter in particular. His name? David Broder. Some things don't change that much.

Of course, there's nothing wrong per se with crying. But the media imbues the most trivial occurrences with cosmic significance, and if there is a shallow angle to be taken, they will take it.

What's also ironic is that Hillary Clinton (if reports are to be believed) has gotten teary or at least "glassy-eyed" in public previously, as recently as December, as considered by Steve Benen. But it wasn't a big deal then, and to my knowledge, the press wasn't playing video of it constantly. The video is what put this moment into such big play, as did the video and audio for Dean's "scream," as did the video of George "Macaca" Allen. I only wish Cheney's "Go fuck yourself" to Patrick Leahy on the Senate floor was captured on a cell phone, but no such luck.

As I've written before (probably far too often these days), I'm not a big fan of Hillary Clinton. I'm probably overdue for explaining why in more depth in a separate post, but the big reason isn't a surprise — she's parroted some of the worst BS of Bush and Giuliani in relation to 9/11, Iraq and Iran, and she's been a saber-rattler with Iran. But I would like to see her challenged on that, and for other substantive reasons. There's no question she's been subject to some really misogynist bullshit over the years, and certainly she's received a fair amount of crap during her presidential campaign simply for being a woman. Chris Matthews and Tucker Carlson, among others, have shown it's still more acceptable in the national political discourse to be a sexist than a racist. There are so many genuine reasons to criticize Hillary Clinton, it's really pretty pathetic to attack her because of her gender.

Why is any of this important? Even if you dislike Hillary, even if you think she's a phony, even if you think her emotion was feigned, or if you simply don't think she'd be the best candidate for president, there are at least four key factors I see. One, more specific to this case of bad coverage but more general as an issue, there's a double standard for women, and sexism should be challenged. Two, the media should be able to get a simple fact right. Three, the media should be substantive rather than shallow. Four, most importantly, the media always do this, and the pattern they've followed for the past decade or two has been to rail on every Democrat, mainly for bullshit reasons, while sucking up to Republicans. That's been Bob Somerby's main point lo these many years, and many other splendid bloggers have dug into the same dynamic. The press continually try to play kingmaker, and they are consistently horrible at it. Why else would they have promoted Bush not once, but twice?!? They are not a bright bunch, nor do they have good judgment. It doesn't matter who the eventual Democratic nominee is. Maybe it will somewhat if it's Obama, since currently they mostly adore him. But we can't count on that, and theirs is a broken, shallow, vapid system. It needs to be challenged at every turn, because even if it occasionally eliminates someone you don't like, eventually, it will be turned against someone you do like. (Ya know, "first they came for the Al Gore supporters, and I did not speak up, for I was not an Al Gore supporter..." and all that.) One way of getting better candidates over time is demanding better coverage right now, and always.

(Cross-posted at The Blue Herald)

Wednesday, January 09, 2008

More on Charlie Wilson's War


In an earlier post, "Where's bin Laden?" I wrote about the changes to the script for the film Charlie Wilson's War, specifically, the removal of all mentions of bin Laden, al-Qaeda or 9/11. Mike Finnigan at C&L helpfully passed on a link to "Tom Hanks Tells Hollywood Whopper in 'Charlie Wilson's War'" by Melissa Roddy at AlterNet.

Now, via Jonathan Schwarz at A Tiny Revolution (here and here), come two good pieces on the real history behind the film Charlie Wilson's War.

First up is Chalmers Johnson with "Imperialist Propaganda: Second Thoughts on Charlie Wilson's War" at TomDispatch.com:

In a secret ceremony at CIA headquarters on June 9, 1993, James Woolsey, Bill Clinton's first Director of Central Intelligence and one of the agency's least competent chiefs in its checkered history, said: "The defeat and breakup of the Soviet empire is one of the great events of world history. There were many heroes in this battle, but to Charlie Wilson must go a special recognition." One important part of that recognition, studiously avoided by the CIA and most subsequent American writers on the subject, is that Wilson's activities in Afghanistan led directly to a chain of blowback that culminated in the attacks of September 11, 2001 and led to the United States' current status as the most hated nation on Earth.

Johnson quotes his review of the book Charlie Wilson's War for the Los Angeles Times:

The Central Intelligence Agency has an almost unblemished record of screwing up every 'secret' armed intervention it ever undertook. From the overthrow of the Iranian government in 1953 through the rape of Guatemala in 1954, the Bay of Pigs, the failed attempts to assassinate Fidel Castro of Cuba and Patrice Lumumba of the Congo, the Phoenix Program in Vietnam, the 'secret war' in Laos, aid to the Greek Colonels who seized power in 1967, the 1973 killing of President Allende in Chile, and Ronald Reagan's Iran-Contra war against Nicaragua, there is not a single instance in which the Agency's activities did not prove acutely embarrassing to the United States and devastating to the people being 'liberated.' The CIA continues to get away with this bungling primarily because its budget and operations have always been secret and Congress is normally too indifferent to its Constitutional functions to rein in a rogue bureaucracy. Therefore the tale of a purported CIA success story should be of some interest.

According to the author of Charlie Wilson's War, the exception to CIA incompetence was the arming between 1979 and 1988 of thousands of Afghan mujahideen ("freedom fighters"). The Agency flooded Afghanistan with an incredible array of extremely dangerous weapons and 'unapologetically mov[ed] to equip and train cadres of high tech holy warriors in the art of waging a war of urban terror against a modern superpower [in this case, the USSR].'

The author of this glowing account, [the late] George Crile, was a veteran producer for the CBS television news show '60 Minutes' and an exuberant Tom Clancy-type enthusiast for the Afghan caper. He argues that the U.S.'s clandestine involvement in Afghanistan was 'the largest and most successful CIA operation in history,' 'the one morally unambiguous crusade of our time,' and that 'there was nothing so romantic and exciting as this war against the Evil Empire.' Crile's sole measure of success is killed Soviet soldiers (about 15,000), which undermined Soviet morale and contributed to the disintegration of the Soviet Union in the period 1989 to 1991. That's the successful part.

However, he never once mentions that the 'tens of thousands of fanatical Muslim fundamentalists' the CIA armed are the same people who in 1996 killed nineteen American airmen at Dhahran, Saudi Arabia, bombed our embassies in Kenya and Tanzania in 1998, blew a hole in the side of the U.S.S. Cole in Aden Harbor in 2000, and on September 11, 2001, flew hijacked airliners into New York's World Trade Center and the Pentagon.

Johnson also quotes himself from 2003:

For the CIA legally to carry out a covert action, the president must sign off on -- that is, authorize -- a document called a 'finding.' Crile repeatedly says that President Carter signed such a finding ordering the CIA to provide covert backing to the mujahideen after the Soviet Union invaded Afghanistan on December 24, 1979. The truth of the matter is that Carter signed the finding on July 3, 1979, six months before the Soviet invasion, and he did so on the advice of his national security adviser, Zbigniew Brzezinski, in order to try to provoke a Russian incursion. Brzezinski has confirmed this sequence of events in an interview with a French newspaper, and former CIA Director [today Secretary of Defense] Robert Gates says so explicitly in his 1996 memoirs. It may surprise Charlie Wilson to learn that his heroic mujahideen were manipulated by Washington like so much cannon fodder in order to give the USSR its own Vietnam. The mujahideen did the job but as subsequent events have made clear, they may not be all that grateful to the United States.

It's informative stuff that should be read in full. Johnson also links a film review by James Rocchi, who writes:

The Soviet invasion of Afghanistan was a brutal violation of international law; a grown-up would nonetheless ask if our cure was in fact better than the disease. Charlie Wilson's War doesn't. (Again, a line in Sorkin's script -- but not in the final film -- has Avrakotos noting "Remember I said this: There's gonna be a day when we're gonna look back and say 'I'd give anything if (Afghanistan) were overrun with Godless communists.'")

Rocchi probably read the same version of the script I did, because that line was in there, and he cites the same ending I read with a bit more detail (I need to try to get another copy, since I was going off memory for my post). He's also right, as noted in my earlier post, that the film never really questions whether this covert war is really the best idea, and whether Wilson's and Avrakotos' depicted subversion is really to be applauded. Rocchi also writes that:

Charlie Wilson's War isn't just bad history; it feels even more malign, like a conscious attempt to induce amnesia…

Charlie Wilson's War offers the bright glare of star power instead of any real illumination; it's a historical-political comedy without any history or politics. Nichols's cut, gutted version offers a few cheery, breezy moments of rat-a-tat comedy, but Charlie Wilson's War stops being funny when you realize we're living in the sequel.

The second piece Schwarz links is "Reagan's Bargain/Charlie Wilson's War," by Peter W. Dickson at ConsortiumNews.com:

The movie opens with Wilson’s conversion to a sympathetic attitude toward Muslims while sitting in a hot tub with several naked women in the Fantasy Suite at Caesar’s Palace in Las Vegas...

According to the book by George Crile upon which the film is based, the hot tub scene took place in June 1980. Crile describes Wilson’s sudden conversion to a sympathetic position toward Muslims as occurring in October 1982 when the Texas congressman, fully-clothed, visited Lebanese refugee camps after the Israeli invasion of that country.

Previously a staunch supporter of the Jewish state, Wilson was shocked by what he saw in those refugee camps, instilling in him empathy toward Muslims that evolved into his zealous support of the jihad against the Soviets in Afghanistan.

Nuclear Blackout

But surely the most glaring omission in the film is the fateful trade-off accepted by President Ronald Reagan when he agreed not to complain about Pakistan’s efforts to acquire a nuclear weapons capability in exchange for Pakistani cooperation in helping the Afghan rebels.

On page 463 of his book, Crile characterizes this deal or understanding as “the dirty little secret of the Afghan war” –- General Zia al-Haq’s ability to extract not only “massive aid” from Washington but also to secure Reagan’s acquiescence in Pakistan’s nuclear weapons program via a congressional waiver of U.S. nonproliferation laws in December 1981.

This bargain may have been dirty but it certainly was no secret. Indeed, Washington’s acquiescence via the congressional waiver was the subject of continuing press coverage throughout the 1980s.

But this history remains a taboo topic for many within the Washington Establishment, especially those who look back favorably on the Reagan presidency.

[...]

Determined to protect the pipeline for smuggling weapons to the Afghan mujaheddin, Charlie Wilson also helped deflect attention away from the Pakistani nuclear program in 1987 and 1988.

Crile claims that Wilson made several successful efforts to blunt the impact of intelligence briefings about the status of the Pakistani nuclear program to congressional committees contemplating a cut-off of all aid at that time.

Speaking Power to Truth

Wilson’s alleged success in countering such briefings and blocking a congressional aid cut-off represented a classic case of the subordination of truth and law to raw power and political calculations.

The movie producers evidently concluded that scenes of Wilson’s desperate efforts to cover up Pakistan’s nuclear ambitions would not look too good in the film, so that part of the story disappeared from the cinematic version of history.

This deeper, darker saga would have conflicted with the filmmakers desire to highlight the heroic qualities of the movie’s main protagonist (Wilson played by Tom Hanks), not to mention the justness of the Afghan cause.

Unfortunately, the glaring omissions tend to reinforce the triumph of a false narrative about the dismal record of American involvement in the Middle East, including the Reagan-Bush administration’s indifference, almost blasé attitude about the emergence of a Muslim nuclear bomb.

Given Crile’s detailed discussion of this “dirty little secret of the Afghan war” in his book, the filmmakers surely can’t say they were unaware of this darker side of the story.

This piece, too, should be read in its entirety.

Charlie Wilson's War is a film I want to see again. I still greatly admire the script in terms of aesthetics and writing craft, and at least one of Sorkin's earlier drafts was much more honest. I also love Hoffman's performance. But the pieces by Johnson and Dickson give crucial details on the actual history I hadn't known. (I can blame some of that on being fairly young at the time, I suppose.) Yet this directly relates to two points of my earlier post. Like it or not, Americans get much of their history through pop culture, most of all from movies and TV. And you simply would not know many important points from the film alone, such as the bin Laden connection. While expecting accuracy from Hollywood is often folly, this team could handle it, and should have delivered. Sorkin at least tried to deliver, on some level. I'm still interested in more details of threatened lawsuits by Wilson and Herring, demands from Tom Hanks, the stance of Mike Nichols, and the position of the studios (although I can guess the last one).

While I'm waiting on more information about battles over the script development and film production, it seems like hitting the library for more reading on the actual history would be useful. I wrote an earlier post on The Looming Tower: Al Qaeda and the Road to 9/11 by Lawrence Wright, a post that includes a link to a conversation between Wright and Steve Coll, author of Ghost Wars: The Secret History of the CIA, Afghanistan, and Bin Laden, from the Soviet Invasion to September 10, 2001. Chalmers Johnson has written a three-part series, "The American Empire Project": Blowback, Second Edition: The Costs and Consequences of American Empire, The Sorrows of Empire: Militarism, Secrecy, and the End of the Republic and Nemesis: The Last Days of the American Republic. Finally, there's Charlie Wilson's War: The Extraordinary Story of How the Wildest Man in Congress and a Rogue CIA Agent Changed the History of Our Times, although it apparently paints a selective picture at times. Any other relevant book recs are welcome.

(Cross-posted at The Blue Herald)

Friday, January 04, 2008

Best Blog Posts of 2007 (Chosen by the Bloggers Themselves)

I wanted to highlight Jon Swift's epic post, "Best Blog Posts of 2007 (Chosen by the Bloggers Themselves)." Jon Swift contacted everyone on his prodigious blogroll, and then posted their submissions with a brief description for each. I'm still working my way through it all, but it represents a great deal of work by the Honourable Mister Swift. There are too many good blogs and too little time, and it's far too easy to miss worthy stuff ya don't know about. So thanks to him, and the other folks who make a habit of reading, linking and promoting others' work.

This also gives me an opportunity to link Jon Swift's superb satirical post, "Journalism 101," summing up many of the faults with our current media. You may have already read it before, since it justly received a fair amount of links. But it's one of those touchstone posts that I expect to be linked for some time to come.

I'd also recommend his follow-up post, "Swift Reactions 7." If you can bear to read Ann Althouse, follow Swift's link. Some of the back and forth in the comment thread is hilarious.

(Cross-posted at The Blue Herald)

Andy Olmsted, R.I.P.

Andy Olmsted, who blogged as G'Kar at one of my favorite sites, Obsidian Wings, was killed yesterday while on active duty in Iraq.

Hilzoy's posted the piece Andy wrote to be published in the event of his death. It's very moving.

Several commenters have asked if there's any way to do something for his family, and I'll post an update if there is. If you comment in the Obsidian Wings thread, please read the comment guidelines within the post itself, to respect Andy's wishes not to politicize his death. I don't think it's political, though, to say it's a tragic loss, it was a jolt to hear, and my thoughts are with his family and friends. Condolences.

Update: A follow post is here.

(Cross-posted at The Blue Herald)

Thursday, January 03, 2008

Eclectic Jukebox 1/3/08



Aimee Mann — "Save Me"

I felt like a little Aimee Mann tonight. Some people prefer "Wise Up," but this is still my favorite tune from Magnolia, where it's fantastically used.

(We used to play this song in a band I was in, actually... I learned the chords by watching Mann play it on the Late Late Show one night. If you want the original key, capo at the third fret!)


(What is the post, you ask? I've been doing the Club Blue picks at The Blue Herald on Thursdays for over a year now. I decided to compile my new picks and recap the old set at a side blog, Eclectic Jukebox, mainly to keep track of 'em all. I was debating whether to post any of them here, or keep everything separate, but let's give it a try. For more music, besides Club Blue, check out Crooks and Liars' Late Night Music CLub and Skippy's Music Club... and quite a few other blogs!)

Eclectic Jukebox

Wednesday, January 02, 2008

Richard Cohen and the Fabulous Hair

I've been compiling material for a post on Richard Cohen for a while now, mainly because he's emblematic of a certain brand of thinking set of attitudes among the Village punditocracy. His column yesterday, "The Mendacity of Hope: What We Want to Believe About Obama" starts with a doozy:

John Edwards lied about the cost of his haircuts. Fred Thompson lied about lobbying for a pro-choice outfit. John McCain insists that the United States was founded as a "Christian nation." Mitt Romney concocted the story about how his father marched with Martin Luther King Jr. And Rudy Giuliani is a one-man fib machine -- everything from why he had to provide police protection for his then-mistress to the survivability rates for prostate cancer in Britain. Yet it is something Barack Obama said that bothers me most of all because Obama is a new kind of politician. He is supposed to be coolly authentic.

What the hell is he talking about when he says Edwards "lied about the cost of his haircuts"...? As Greg Sargent notes, both Steve Benen and Atrios have correctly called Cohen's claim false, and Sargent has written Cohen for an explanation.

As it so happens, I've got a good idea of what Cohen means. He made the same ridiculous claim in his column on 7/24/07, "He Just Plays a Straight Shooter." In that piece, Cohen starts by calling out Fred Thompson for lying about his lobbying for a "family-planning outfit." Then, showing Broder-esque "balance," Cohen writes:

Lest you think I am some sort of partisan hack, I have similar misgivings about John Edwards and his $400 haircuts. Here, too, the issue is not what he paid his barber but his apparent willingness to trim the truth. He can't -- I can't stop myself -- brush that away.

Not that Edwards hasn't tried. His spokeswoman, Colleen Murray, also attempted the old disparagement trick, comparing the haircut imbroglio with matters of cosmic importance. "Breaking news -- John Edwards got some expensive haircuts and probably didn't pay enough attention to the bills," she said. "He didn't lie about weapons of mass destruction or spring Scooter Libby; he just got some expensive haircuts."

Yes, he did. And he got them over and over again, sometimes summoning hairstylist Joseph Torrenueva of Beverly Hills to appointments on the campaign trail. When that happened, Edwards had to pay not only for the haircut but for Torrenueva's airfare and hotel as well. A session during the 2004 race cost $1,250. On at least one occasion, Edwards paid the $400 personally.

Contrast this detailed account of Edwards's relationship with Torrenueva with the candidate's initial explanation. Edwards said he had no idea that the haircuts were so expensive and -- in a reprise of Bill Clinton's reference to Monica Lewinsky as "that woman" -- called Torrenueva "that guy." You do not talk about your hairstylist like that. "When he called me 'that guy,' that hit my ears. It hurt," Torrenueva told The Post's John Solomon.

Edwards and Thompson have something in common: They both are all image. Neither has accomplished very much in public life.

This is mind-numbingly insipid stuff. Not only is Cohen obsessing about inconsequential trivia like a third-rate gossip columnist, he doesn't even prove his case. As far as I can tell, Cohen claims Edwards "lied" about his haircuts because Edwards didn't include the airfare when talking about the cost, and because he distanced himself from Torrenueva. In Cohen's world, this is a "lie," and morally equivalent to misrepresenting one's anti-abortions bona fides to the GOP faithful to get their votes or lying about weapons of mass destruction to start a war. It's the sort of maddening false equivalency major media figures traffic in all the time.

But Richard Cohen is no "partisan hack." No, one has to be supposed liberal at a major media outlet, such as Cohen or Joe Klein, for work of this quality.

I doubt many readers of liberal blogs are unfamiliar with the obsession at The Washington Post, Politico and other outlets over John Edwards' haircuts, but if you want a quick recap of some of the recent lunacy, here's Messrs. Benen, Sargent and Somerby (with a Somerby follow-up here).

Cohen often offers logic worthy of Jonah Goldberg, but it's worth noting the similarities between the July column and the one yesterday. Although some of the specifics differ, Benen's critique of yesterday's piece applies quite well to both:

One gets the impression that Cohen, who’s been around long enough to know better, just casually threw in some accusations of dishonesty in the hopes of achieving some kind of “balance.” Regrettably he did so a) without getting his facts straight; and b) in a column about the importance of people getting their facts straight.

It’s really not a good way to start out the new year.

And what of Obama’s “lie” [that there are more young black men are in prison than in college]?...

Now, if this is right, and Obama repeated a bogus statistic, he’s in the wrong, no doubt about it. There have been far more dramatic lies from presidential candidates, and this one seems largely inconsequential, but would-be presidents should strive for 100% accuracy, regardless of party…

But Cohen applies a standard here that doesn’t make a lot of sense.

When John McCain sticks to his insistence that the Constitution established the United States as a “Christian nation,” I don’t like it, but I know McCain and I know his character. He has a record in public life going back, essentially, to 1967, when he was shot down over Vietnam and repeatedly tortured by his captors. Back in 2000, I might have gotten a bit “delusional” over him, but I had my reasons.

I see. So, McCain lied, even though he didn’t, and that’s fine, because Cohen has known him for a long while. Obama cited a bogus statistic, and that’s worth an entire column, because Cohen hasn’t known him very long.

Cohen seems to be invoking some sort of Droit de seigneur, whereby he doesn't need to make a coherent argument, only assert his authority (as well as McCain's). That's important because there's one other key similarity between July's column and the current one. It's this paragraph from yesterday, where Cohen writes:

After all, it ought to be true that Saddam Hussein had weapons of mass destruction. It ought to be true that he had ties with Osama bin Laden. It ought to be true that aluminum tubes were intended for a nuclear weapons program, and it ought to be true, really, that none of this mattered since what mattered most of all was a larger truth: Hussein had to go and the Middle East had to be urban-renewed for the sake of democracy.

I'm uncertain as to what exactly Cohen means by "ought" here, but by every interpretation I can see, he's wrong. It's not true that Iraq had weapons of mass destruction, nor is it true that they should have had them. The same goes for the rest of his claims. If anything, the real "ought" is that we ought not to have invaded Iraq in the first place. Oh, and the Bush administration "ought" not to have lied, and Cohen "ought" not to have believed them. American troops and Iraqis "ought" not to be dead. But Cohen's construction here absolves him of culpability. Note that Cohen poo-pooed the whole "lying about WMD" back in July, too.

Cohen, of course, was an ardent war hawk disdainful of those who weren't, and he was snowed by the Bush administration's case for war, although many of us weren't. When he says "ought," I believe he really means "I wish I had been right, and I had good reason to think that." The truth is, there were plenty of reasons to distrust the Bush administration's arguments, even for those of us not privy to classified intelligence (that's not to mention the importance of a general skepticism toward war in the first place). The truth is, the cost of a haircut or statistics about African-Americans in prison versus higher education are not nearly as important as starting an unnecessary war, and the resulting, devastating cost of treasure, prestige and most of all, human lives. Even if we grant Cohen that all three are "mistakes," it's extremely offensive to equate them. Pretending all lies are the same, feigning that all mistakes are the same, harping on Obama and libeling Edwards doesn't erase Cohen's own sins.

The supposed point of Cohen's piece, about Obama, is trivial at best. However, his subtext and asides are extremely important, because they betray those Beltway pundit attitudes and ethics Cohen so perfectly embodies. Cohen blithely, falsely accuses Edwards of lying, and since he leads with that, apparently he feels no need to explain it. Meanwhile, it seems he still hasn't learned much from his disastrous judgment on the Iraq War. Steve Benen's exactly right; it's going to be a long year.

(Cross-posted at The Blue Herald)

Tuesday, January 01, 2008

Where's bin Laden?


It's a better question for George Bush, actually. But where's bin Laden in Charlie Wilson's War?

I read a draft of the script last year, and while most of it hasn't changed much, there were a few notable, disappointing omissions.

Let me be clear: Charlie Wilson's War is an excellent film, one of the best I've seen all year. Overall, the cast is superb. The film combines substance with wit to spare. Aaron Sorkin is a master of exposition, using it as ammunition and often off-setting it with comedy and other activities: sitting in a hot tub, a belly dance, the old West Wing walk and talk, a dance of dueling meetings reminiscent of the Marx Brothers. Director Mike Nichols knows the medium well, but he's also an actor's director, well beloved by them. Hanks is quite good as Wilson. I still think Julia Roberts is miscast, but I understand why she was cast (huge box office draw). I was ecstatic to see Phillip Seymour Hoffman cast as Gust; it's a perfect fit and one of his most enjoyable performances, and that's saying a lot. His first scene alone is worth the price of admission, and he and Hanks have great chemistry. Ned Beatty plays a small, key role. The film even has Amy Adams, splendid as always (see Junebug if you haven't), although a friend of mine noted, she should have been sporting big hair for the era (as most American women in the cast are).

As the film notes at the start, it's based on the true story (chronicled in the book of the same name) about our funding of a covert war against the Soviets in Afghanistan, largely spurred by an unlikely figure, inveterate boozer and womanizer Charlie Wilson, Democratic Congressman of the Texas 2nd. The film's gripping and entertaining, and sometimes quite moving. There's a brief scene where Wilson speaks with some child victims of bombing in Afghanistan, and it's tastefully done, but it certainly hit me in the gut. (Sorkin and Nichols even humanize the Russians a bit.) Charlie Wilson's War's impressive because it's pretty damn ambitious, covering a vital but largely unknown chapter of our recent history, being extremely informative while avoiding what Sorkin once called the "eat your broccoli" feel. It's a very enjoyable watch.

(I've got some slight spoilers of a sort here, although if you're familiar with the basic history, they shouldn't be.)

About three-quarters into the script in the version I read, the CIA tells Wilson about new developments with the Mujahideen, and they mention Al-Qaeda and Bin Laden. It's a striking moment, because the names have massive significance for us, but it's really just one more piece of interesting information for them at the time. I thought it was well handled, but it's not in the released film.

The film as released does touch on the surge of religious extremists. A late scene between Charlie Wilson and Gust uses a parable to consider the unpredictability of outcomes. A couple of other scenes on denying reconstruction funding and a ending quotation also suggest what was to come.

Still, it feels like a copout to axe the mention of Al Qaeda and bin Laden. After all, the film still mentions Jack Murtha and Rudy Giuliani by name, both prominent figures today, but much less central to both the subject matter and the theme. Cutting a few scenes of Wilson performing a drunken hit and run made some sense — besides Hollywood's aversion to making its protagonists unlikable, that sequence was about the mess of Wilson's personal life, which is interesting but not crucial. In contrast, the rise of bin Laden and Al Qaeda during the war with the Soviets, and the role of the Mujahideen in world events since, is pretty damn important. You would not know any of that by watching the film alone. It deserved at least a nod.

(A spoiler of sorts I suppose) In the version I read, the script actually ended on 9/11, with Charlie Wilson in his apartment, which has a view of the Pentagon. He has another woman over, and hears the explosion, sees the smoke, and the script ends on the look on his face — alarmed, and suspecting the truth even if he's not sure. I was wondering if that would survive to film, because it was powerful but might wrench the rest of the story. That cut seems more justified. It might even have been filmed, but didn't make the final version.

I'm just wondering to what degree those changes were aesthetically versus politically motivated. I'll be interested to check out the various interviews and the eventual DVD extras for more information. Did the studio fear some bizarre uproar? Did Nichols feel it knocked the film off-kilter? I don't know. But considering how daring the film is in many ways, and how willing it is to show the warts of war, ethnic divisions and backroom deals — not to even say the names just felt both irresponsible and, well, gutless.

I find myself thinking of Bush claiming back in 2002 or so that Saddam Hussein was dangerous because he had 'gassed his own people,' never mind that he did so in the late 80s during the Iraq-Iran war, when the Unites States was still doing business with Iraq. That gassing also occurred before Rumsfeld went to meet with Hussein to reassure him (as famously photographed, and as Rumsfeld claimed to only dimly remember). And it was before the first Gulf War. Whether one supported the invasion of Iraq or not, Bush did not speak of our previous alliance with Hussein and Iraq. I suspect his administration thought it would implicate us and introduce a level of complexity they didn't want with their cartoonish "Axis of Evil." It's one of many reasons I'd argue Bush made the case for war dishonestly, and one of the clearest early signs he simply wasn't to be trusted. Similarly, none of the crowd saber-rattling for war with Iran mentions the role of the U.S. and U.K. in covertly supporting a coup of Iran's democratically-elected government in 1953. Our current relationships with foreign powers often have important history attached. They don't exist a vacuum.

The reason I bring all this up is, like it or not, pop culture is where a great number of Americans get their history. While entertaining, Charlie Wilson's War is so much more than a popcorn flick. It's a very good film, and I intend to buy a copy when available. But I feel it could have been better still. And I really do want to hear what the decision-making process was for those elements.

Here's a cinematic example. All the President's Men is a great film, but it ends a bit oddly, with a news ticker summing up Nixon's resignation. Since the film came out in 1976, the thinking was that the audience was familiar with everything that happened, so why not just end quickly. William Goldman, the screenwriter, has since said it was a mistake. The speed wasn't a bad thing per se, but they should have been more cinematic, perhaps used some footage or something, because nowadays the ending doesn't play as well.

Interestingly enough, The History Channel special, The True Story of Charlie Wilson's War, is much more direct about bin Laden than the film is. The show is one of those joint movie studio-cable ventures, fairly fluffy, intended to promote the film. No one, for example, bothers to ask whether it's really a good idea for a lone congressman and a rogue CIA agent to set foreign policy and wage a covert war. Still, it's interesting to hear from Wilson himself, several of the other players, screenwriter Aaron Sorkin, and to learn which of the details in the film are true. The bin Laden section comes in the last five to ten minutes. (For background, Carol Shannon is a Texas belly-dancer and a friend of Charlie's who features in the story, and Azizullah Din Muhammed was an Afghan rebel who met Charlie a few times during the covert war.) I transcribed the section in question:

[Footage of the smoking twin towers.]

Narrator: Today, Charlie Wilson's war must be seen in the context of September 11, 2001.

Aaron Sorkin: The two biggest threats ever, to our security, were the spread of Soviet Communism and the rise of Islamic fanaticism. Charlie is a guy who had a hand in stopping one, and accidentally starting the other.

Narrator: Though all of the 9/11 hijackers were Arabs, the operation was planned by a terrorist organization sheltered in Afghanistan.

[Footage of bin Laden.]

Charlie Wilson: We bear responsibility, because we didn't try to rebuild Afghanistan.

Azizullah Din Muhammed (Afghan Rebel): European countries and the U.S., they thought that once the Soviet Union was defeated, the job was over. They did not think about setting up a government in Afghanistan.

Wilson: We left a vacuum, and the vacuum was filled by the Taliban and by Al Qaeda.

Sorkin: There's no question that the Afghan victory and 9/11 are holding hands with each other. Is it Charlie Wilson's fault? No, don't be ridiculous. No one's responsible for 9/11, except for a bunch of twisted [bleep]suckers.

Narrator: CIA officers maintain that they never trained or armed the foreign volunteer fighters that would one day form Al Qaeda. During the 1980s, it was the Soviet Union that represented the gravest threat to U.S. national security. Like many Americans, Charlie Wilson lived much of his life with the omnipresent threat of a Soviet nuclear attack.

Carol Shannon: He had a lot of nightmares. And I hope they're over now.

Narrator: History will show that the evil empire was brought down by a colorful cast of characters, led by a hard-drinking, skirt-chasing Texas congressman.

Sorkin: President Zia-ul-Haq of Pakistan, when asked how in the world did the Afghans beat the most powerful army on the face of the world, President Zia responded:

President Zia: Charlie did it.

They don't even mention bin Laden or Al Qaeda by name, but do show video footage of him. Still, apart from that, and the narrator's hype (especially saying "the evil empire"), they offer a reasonably accurate, fair account (if severely truncated). While Wikipedia is far from definitive, its article on "Allegations of CIA assistance to Osama bin Laden" ain't bad, and offers more information on the subject. A key passage relays that:

Robin Cook, former leader of the British House of Commons and Foreign Secretary from 1997-2001, wrote in The Guardian on Friday, July 8, 2005,

Bin Laden was, though, a product of a monumental miscalculation by western security agencies. Throughout the 80s he was armed by the CIA and funded by the Saudis to wage jihad against the Russian occupation of Afghanistan. Al-Qaida, literally "the database", was originally the computer file of the thousands of mujahideen who were recruited and trained with help from the CIA to defeat the Russians. [8]

Meanwhile, the same article notes, as did the History Channel narrator, that the CIA have denied that they directly funded or trained bin Laden. Reporter Peter Bergen, among others, believes this, and the article lists several reasons for it. I can buy that there wasn't direct funding or training, since bin Laden had his own sources, but the U.S. or its proxy Pakistan were funding and training plenty of those fighting the Soviets. Meanwhile, it's undeniable that the U.S. and Al Qaeda were fighting on the same side back then. Simply mentioning that doesn't endorse a theory of "blowback" for 9/11, and even a theory of blowback doesn't excuse those who perpetrated 9/11.

The book The Kite Runner, also a film now, deals with some of the same period in Afghanistan. As one character notes in the book, at first many in Afghanistan cheered the Taliban, because they were replacing the Russians and took care of some criminals and scoundrels. But then, the edicts started, and the Taliban were feared and despised by many that first welcomed them. Politics and foreign affairs are seldom black and white.

Portraying that reality is what makes Charlie Wilson's War a good film, and also the reason I feel it falls short on this one matter. Perhaps I'm being uncharitable, and I'll look forward to learning more about the decisions behind the scenes. Overall, Charlie Wilson's War presents a pretty complex, sophisticated view of the world, where small decisions can snowball, and policies that seem wise at the time can lead to other complications, some predictable, some unseen. But see the film, and decide for yourself.

Update: Thanks to Mike of Mike's Blog Roundup for the link at C&L, most of all for also linking "Tom Hanks Tells Hollywood Whopper in 'Charlie Wilson's War'" by Melissa Roddy at AlterNet. Roddy apparently read an earlier version of the script too, and has much more detail on a few of the specific changes. I find it interesting that, apparently, the real Wilson was willing to be more candid with the History Channel special promoting the film than he was with the studio on the film itself. Of course, one's going to be seen by many more people (although I expect that a special edition DVD of Charlie Wilson's War will include the History Channel special, will probably include deleted scenes and might well discuss the script changes). I continue to be interested in more information about this.

Update 2: I have a follow-up post with more information about the actual history omitted from the film.

(Cross-posted at The Blue Herald)